paper recordings continue their journey back to plastic with another vinyl release once again proving why they remain one of uks best loved labels. jamie l is a mysterious figure of undisclosed origin and history who fits in to the moodymann / theo parrish mold of heavy future disco, which his new production >(what we saw) in the burg< nails. it is a heavy leftfield groove laid over broken house beats with a filtered bass, samples and leftfield vibe. the detroit pad creeps up to the break and filters in and out as the track works its way through for locked down dance floor business. next up, havana candy breaks out the analogue and takes things deeper and techier. with a rolling bass and tweaking acid line, it cuts to a rhodes before filtering down and riding back to the heads down groove. cottam steps up for paper for the first time and demonstrates what all the fuss is about with a very special mix. clocking in at 9.41 it is deep, tough soulful house that crosses the 4/4 divide from techno to disco and deep house to soul.

the question of time label teams up with portuguese producer alvaro brites for a brand new ep of quality house grooves…
london based question of time have been making all the right moves this year, releasing records from the likes of aqob, tingle town and label boss j daniel and garnering support from the djs such as terry francis, xpress-2 & silicone soul. with an emphasis on quality electronic music, encompassing the best of house and techno, the imprint draws on its considerable history whilst looking firmly forwards in partnership with some of the best producers around.

the black madonna hits home taping hard with her first release on the label >alright this morning<. coming from the middle of nowhere, but now based in the attic of a house in chicago that used to be the home of over 50 dance labels, she likes her music to do the talking and admires the anonymity and musical militancy of acts like underground resistance. having being brought up working in the music industry as an apprentice doing this, that and everything and helping to run labels, she actually refused to let anyone hear her work for years with masters gathering dust and never seeing the light of day. until now when, after the encouragement of a producer friend to get her stuff out there and a chance find by home taping of a few tracks online one day, she has now found a place where she feels at home. the first of a string of releases on home taping sees the jubilant and heavily chicago-influenced >alright this morning< released along with a remix by one of her favourite new producers, nicholas from italy. the rest is history and up to you ...

the moons sind ein in london ansässiges und aus northhampton stammendes quintett, das sunshine-pop mit zeitlosem britischem songwriting kombiniert. >jennifer< ist die zweite von drei limitierten singles aus dem demnächst erscheinenden zweiten album >fables of history<. zusammen ergeben die single-cover ein gesamtkunstwerk. die band besteht aus frontmann, sänger, songwriter und gitarrist andy crofts, der bei paul wellers band an der hammon-orgel sitzt, james bagshaw (gitarre), ben gordelier (schlagzeug), thomas van heel (keyboard) und thomas warmsley (bass).

the man they called brokof was a blazing star in one familys dark history. a player with a wandering heart. the band called brokof follows him into the vastness and gives it a face. they draft a map with songs. singing with beautiful solemn sadness about encounters and fleeting moments of truth. hinting at rage born from the loss that occurs when one moves in life. about what one has to gain when there is nothing expected. when hope has turned to echoes and dust.
these are pop songs purged and reduced to the core.every sound stands alone to serve the song. there are no tricks. through their naked vulnerability they find their power. the structure is stark and the messages clear.

funk d void remix, bill youngman remix, steinmueller remix! finally, here comes the next special goody on mueller records! after hawkinson published his first longplayer on this berlin cult label, now in addition there comes 3 fantastic klaf remixes, nice remixes by he king of techhouse mister funkdvoid himself bill youngman and steinmueller

take the noises from a grey and heavily industrialized city. filtrate and rescale them through the urbanized and chaotic bucharest. embody them within the identity of a creator who colors with history and the essence of his path. pake. a beatmaker that explores a large variety of genres, and excels at all of them. appreciated through the years by the ever changing local scene and artists such as cosmintrg, haze, mesmer. with the hand of an experienced producer, and the enthusiasm of an trailblazer, pake signs fwddubs first release, analysis speciosa ep, his research innards the mantric universe of techno.

almost 25 years have past since his first release, yet >the true story of house music< is the first time elbee bads catalog gets compiled for re-release. although the best and most prolific part of his catalog is his late 80s and early 90s output, booker never stopped producing (and djing). he is currently residing in berlin, from which he still manages his studio and travels throughout europe to dj.
prior to the compilation we release a vinyl only sampler which features two exclusive and previously unreleased mixes of two tracks which are to be found on his only solo nu groove ep, from which we took the title of this compilation.
this is another winner from the true history of house music.

putting your money where your mouth is can sometimes be rare in techno these says, but gynoid audio has done just that in the form of its limited series. choosing some choice cuts of its recent history, the label gives us gynoid limited 001 by way of unbalaces airport and a remix by..

swedens (almost) unknown techno veterans börft records we have played and seeded wizely through out the years - to be honest, weve hid their treasures for years too. forget all you know about swedish electronic music, this is börft crew, the core underground of söta brorstechno history - here represented by frak - a full out techno acid punch.

the „sailorman ep“ is probably the most personal in alle farbens discography up to now in which he turns cherished pieces of music history and poetry with great love for detail and transforms them into contemporary club music. with it he shows his preferences for classic singing, lyric, the coast and the sea. through the clash of the unusual alle farben produces again and again a successful symbiosis and creates a unique stimulus. remix ep coming soon…

the debut solo album from visual artist james brooks. instrumental electric guitar compositions that respond to the history and geography of former roman roads.
pressing on heavyweight 180 gram vinyl, including cd-copy and 12 inch booklet.

a dj since 93. a producer since 98. a true student of the music/culture. amir founded vanguard sound in february 2006. after making his presence felt in the chicago club scene via a meteoric rise culminating a dj watch feature in chicagos 5 magazine, he completely disappeared and went beneath the underground to focus solely on advancing his production skills. soon after linking up with g. marcell and hakim murphy he began to release gritty tracks that have been charted and played by underground djs world wide. his fourth release was the sleeper classic >experience ep< a 4 tracker with amir on side a, and g. marcell on side b. encouraged by the feedback, amir then submitted tracks to new york citys plan b recordings. the rest is history as they say. recording under the name amir alexander and the pseudonym guerrilla soul! this cat strives to bring a raw and gritty modern spin on classic detroit, chicago, and new york underground sounds.

the byrds were one of the earliest groups who could combine the best of two worlds. they caught on to the energy of the british invasion and combined it with the lyricism & musical elements of the contemporary folk movement. along the way they pioneered psychedelic and country rock, always keeping things recognizable with their vocal harmonies accompanied by their jangly guitars. their 1965 debut mr. tambourine man hit the flower generation like a bombshell. >one of the greatest debuts in the history of rock<, it melds their lyrical prowess with their compelling guitar riffs, and was the blueprint for their future sound. a classic, now back on 180 grams audiophile vinyl!

tomas barfod is fascinated with the idyllic wasteland, unveiling >salton sea<, an lp on the friends of friends imprint that draws from the concept of urban decay. the producer and drummer of the popular danish group whomadewho, with a history of solo and collaborative releases for get physical, turbo, gomma, and kompakt, barfods latest full-length balances contrasts. at times bright with delicate pop melodies, >salton sea< boldly submerges into dark, morose rhythms, juxtaposing the graceful and desolate characteristics of the californian lakebed the album shares its name with.

black vinyl repress, natch is the union of the body,mind and passion with drum machines and synthesizers. its what is natural,what we do the best. kidnapped in the 90s by the clubs of detroit, taken by the power of the bass, carried over through a sequencer and convinced that berlin is the new dance floor. natch is techno. it moves through the stimuli and does not stop, pushed by the need to discover new forms,to listen to the unheard,browse unlimited electronic influences. not only from dub to dark sound, but reaching an underground that is an expression of the sounds that each of us carry inside. aware of the history behind each clap, which leads to the highest level of sound, of his idea: techno-logic. natch is the way, natch is natural

now eternal basement returns to his spiritual home, harthouse mannheim (the mannheim was added after the labels 2005 re-launch) for the release of a brand new album that is set to re-affirm his position in the labels history.zustandsgeber is a journey through the sonic soundscapes of deep electronica, acidic techno and futuristic minimal, reaching out beyond the confines of any particular style to deliver a startlingly good album.

bill withers >live at carnegie hall< was recorded almost 40 years ago on a rainy friday evening, but it is still regarded as one of the best live performances in the history of soul music.
music on vinyl is re-issuing this classic on 180 grams audiophile vinyl for the first time since 1975! comes in gatefold sleeve with printed innersleeves.

back and cooking up more funk and flavor with his second album for rekids, mr g proves hes still the king of rhythm with state of flux. packing more history than most of the top current producers put together, mr g has been fine-tuning his breed of music for two decades. described by the man himself as its all about a bassline, his music takes the formula of a ballad and the movement of reggae.

owain glyndwr has become a symbol of pride and freedom. he sacrificed everything for his dreams. where he died is not known, and the location of his grave has become one of the great mysteries of welsh history. owain attempted to capture the site of ‘chastiel bran’ or ‘crow castle’ in 1402. unfortunately he failed and the castle remains as a local monument to this very day. ccc1402 is the final chapter of the collectors quad pack, to celebrate that, we are even quad stamping the release for you in blood red ink. the music will speak for itself.
limited release of 500 handnumbered & stamped copies on transparent red vinyl.

played by sven väth im boiler room! vinyl only! vinyl runs from the inner side to the outer side like the old nsc cuts from back in the days. pure detroit house and techno. this track was made possible by my good friends blake baxter >the prince of techno<, greg stafford from b.a.m and the soulful gospel singer quwona >dee dee< toney who truly loves the lord. santonio is very well known from his releases on kms or network. together with reese (kevin saunderson) he wrote techno history and delivered some of the most important techno tracks which tag the revolution of techno music. santonio licensed tracks to tresor records in berlin, react records, infonet, express, network, bpm recording, and random recordings in belgium.

we are really happy to be able to release this new ep from protect-u on planet mu.
protect-u is the studio project of mike petillo and aaron leitko, who are associated with the new breed of dance music producers from in and around washington dc, coming from a similar background as ital, innergaze and beautiful swimmers, with a history of playing alongside mi ami, blues control, slava, steve moore & pissed jeans, among others. mike is also co-owner of the very cool record label future times, alongside andrew field-pickering a.k.a. maxmillion dunbar, who is also one half of beautiful swimmers.

makam – what ya doing: the hague based producer makam definitely didnt see jack play, simply because hes waaaay to young to be bragging about the history of house music. nevertheless mister guy blanken delivers a stunning anthem in the best of warehouse and music box traditions. keep those 909 rim shots coming please, but make way for the irresistible breakdown. makam – what ya doing (funkineven) more 909 sweetness comes from london based steven julien aka eglo-related vintage fetishist funkineven. while treating the original with respect, he adds some analogue acid dirt to it. in an everything but subtle way, that is. peak time stuff!

last copies left... funky smokin trax hit the wax on amsterdams finest remote area imprint. the latest on remote area two brand new debutans, makcim & managemend. makcim roots lay in the south part of the netherlands, eindhoven, where he is part of the minimal eindhoven crew, who are responsible of many crazy illegal parties in the area. two years ago makcim moved to amsterdam to become more involved with the amsterdam underground scene. makcim and managemend aka roel van otterdijk met each other. managemend has a background of true funk music. as a child he listend to the meters, jimi hendrix, weather report, all from his fathers record collection. so with the history of funk, makcim & managemend hit the studio

we here at thema are proud to be staring down five years of history — all the while with our sights locked in, waiting patiently for the right moment to launch this very special project—and we feel now is the time to unleash this beast. its main purpose is to release pure sonic explorations, straight up techno for a new era and will be a vinyl-only affair aimed at all you true djs out in the trenches, who appreciate the real thing. so for this momentous occasion, we have invited a field-tested thema solider, terrence dixon, or as he shall be known here: population one, one of his rarely used alias.

part 2/3! deep house – uh killer?! dear gorge just like we know him. hardly anyone puts so much energy into a yet so low key appearing track and this is what we love him for. gorge was a history witness for our biggest light installation and the most oppulent feast, as is his right. certified ass-shaking tune with a joyous organ going hand in hand with a female vocal. there is no more to say about this track as it speaks for itself. reminiscing igors 10 minute intro in combat gear at the treibgut deluxe. some push did jonas put into this few minute collaboration track with mz sunday luv. it has to be loud, it has to run – it has to take its place on this compilation. homebased in frankfurt jonas was so fond of hannover at a time that he almost moved north. but we could not afford the hotel room for such a long time. deep house making you get rid of your jacket and shake your hips together. get yourself a drink at the bar and head for the dancefloor. nicely smooth this track is driving you into the night. the only night we actually had champagne and still could all make it to the train to hamburg in the morning.

lost sounds are the archives of a forgotten history. the raucously raw, vodoun-inspired rhythms of cotonou have confirmed benin as a mecca of 70s afro sounds and revived the story of its people, but the unopened vaults housing the countrys catacombs of musical riches are endless. with this as our compass, analog africa charters its fifth expedition to benin, traveling far north to delve deeper into the obscured repertoires and tales of the bariba and dendi people.

welcome return for this very sought-after rare electro 12 inch from tiny harlem label express records. big with the cosmic crowd as well as on the early hiphop scene, this is an extremely cool low-slung synth-heavy electro groover with a hypnotically smooth lead vocal, given a sharp percussive edge by the rattling congas and ticky-time chorus. written at a time in rap music history when the introduction of synthesizer technology created a wild flurry of creativity, this futuristic track by barry michael cooper (who went on to write the screenplays for movies new jack city and above the rim) was teletrons only ever release. film s gain was sadly musics loss as this was, and still is, a boundary-pushing, floor-filling monster. dont sleep!

introducing black orange juice for 2012 … a cosmic crew of dance floor saviours. nomads of the musical galaxy who are crazy in love and love craze. brought together by ossie of hyperdub records fame. his >tarantula< track was selected in the fact top 50 for 2011, not forgetting the awesome joe goddard >gabriel< remix for greco roman which took his sound to another level and which won him fans the world over… the all singing black orange juice, found it’s sweet spot when ossie recruited two of his closest compadres, paul black and orial, partners in crime with a history of gospel choirs, r&b quartets and lending their vocals to some of londons finest underground heros. they blend the best elements from the uk undergound with a nod to the talents of roska, jamie jones, scratcha dva and mosca, and a wave to those infectious vocal-house sounds reminiscent of hercules and love affair and azari & iii. the sound is both unique and dangerously infectious…

march sees the formidable hypercolour deliver its most surprising output yet, an ep from none other than groove armada. tom findlay and andy cato need little introduction as groove armada. chart smashes, huge live tours and being part of the worldwide electronic music history aside, the duo have never lost touch with their acid house roots and have continued to be devoted to record buying, djing and the much maligned promo trawl. tom and andy have been avid followers of the label it seemed, since its inception. it was through label head jamie, meeting the guys back in 2010 at space in ibiza, and then continued communication via hypercolour promos, that led to an out-of-the-blue email requesting an informal hook up in east london and, within just a few days, a release was scheduled. that release is the >no knock ep<, four tracks that range from 808 fuelled old school cuts to low slung, moog-bassd electronic funk. each sound is lovingly crafted but there is an analog rawness throughout and every track has the sort of tweaked, off-kilter and occasionally awkward vibe that hypercolour do so well. it just takes a bit of imagination to guess what a ga release on hypercolour should sound but failing that, just check the release out as it wont disappoint.

nitetime is the new production duo from boston, usa comprised of kon (from kon & amir) and whisky baron and was actually first send to us by fellow bostonians soul clap. nitetimes debut ep. jive talk sits on a bridge between og boom bap hip hop - with its tough drums and grooved up interludes - and the 4/4 rhythms of classic house and disco. it also comes packed with a little more history than meets the eye…,.the ep has only just been pressed to wax and its already picking up love from gilles peterson, jacques renault, eli escobar, soul clap, recloose, karizma, lefto from belgium and lovemonk in madrid. dont let this record slip through those dusty fingers of yours.

hip shakin mama ep is a 300-copy, strictly vinyl release, which precedes the forthcoming polar pair album. the common thread of the ep is an old-school-meets-new-school approach. all the tracks draw their inspiration from classic moments in dance musics history, while applying an up-to-date sound and production.

20 years in the making, nothing but noise, the trio led by front 242 mastermind daniel b and featuring original front 242 member dirk bergen and erwin jadot, finally release their debut album >not bleeding red< on uk independent future noise music.
borne from a deep love of analogue synthesizers and inspired by the likes of manuel gottching, tangerine dreams early albums and bowies berlin period, >not bleeding red< is an album that fully deserves its place in the long and distinguished history of european synth acts.
includes free download card for the full digital album.

rubini’s new production is dedicated to the legendary group-b rally era (1982-1986), universally considered as the most spectacular moment of the motoring sports history. rubini succesfully transfers those dramatic and thrilling scenario in a disco/tech language. le cahier de occelli is an intimate ambient journey, drawing the mystic landscapes of those dirty roads. easyleft henri is dedicated to the amazing pilot henri toivonen, whom incredible skills inspired this energetic disco/house drive, with steering bass-line and a whirling vintage synths. dancefloor missiles, roar!

our new release has a particular importance in the history of wicked bass, being incidentally both the latest and the first to appear on vinyl. the four-track record comes from our long-time favorite kc wunderkind, huerco s., who evidently grasps his inspiration from literally everywhere, be it uk hardcore, pitched down american vibes, or even modern art. scoring no jack ep with three original tracks and a remix by the us scenes fresh discovery, braille (who is coincidentally one half behind sepalcure), as his first physical release, huerco s. embarks on a far-lying journey with even more to come.
support from: neville watson, locked groove, throwing snow, hackman ...

on this next vinyl edition from flapjack records, we take a minute to recognize a time in u.s. history when alcohol was made illegal. this time was called prohibition and was a very sad time for casual drinkers, but an amazingly profitable time for bootleggers and underground party goers. this theme fits right in with this straight out of the toilet distilled dance record from house music recluse francis jilla. >these boots are made for jackin ep< is the brand that underground house goers trust most to get fired up, while other moonshiners bring in the least.

justin berkovi normally should not need an introduction, being involved in multiple techno-projects in the past, and still standing strong nowadays. his track ‘old timer’ reflects his musical personality and history and is being reinterpreted by another techno-historian, aubrey. on the b-side newcomers jack dixon and henning baer make their introduction on other heights with two total different interpretations which are to become oldtimers themselves.

marco effe returns to break new soil with his third release for the label! while his track for me marked a highlight in the labels young history and was praised by press and djs alike, his newest release once again proves his qualities

eduardo de la calle releases three new records, two on analog solutions, and one on sub label suprawax. musically, the tracks tie in with where he left of, featuring held back percussion, hypnotic and prolonged use of slowly modulated patterns. several tracks even do away completely with hi-hats. once in a while the almost trademark tweak of the delay tears the tracks open that are otherwise reduced to the essence of a deep groove. these records mark a new high point in de la calles musical output: they meld an awareness of techno history - and, let us be candid, sometimes samples out of it - with a tripped-out understanding for the passing time on the dance floor. the result is a form of distinctly contemporary dance music. all the same, de la call’s music eludes present day trends of going overtly retro and being contently at rest in nothing but epigonism. nor are they the maximised-to-death tracks spun of the present day techno functionalist goading crowds by the means of formalistic upbuilds over and over. his sound carves out a niche quite its own: its the ultimate modern day dj tool. all records have been pressed in a run of 320 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

eduardo de la calle releases three new records, two on analog solutions, and one on sub label suprawax. musically, the tracks tie in with where he left of, featuring held back percussion, hypnotic and prolonged use of slowly modulated patterns. several tracks even do away completely with hi-hats. once in a while the almost trademark tweak of the delay tears the tracks open that are otherwise reduced to the essence of a deep groove. these records mark a new high point in de la calles musical output: they meld an awareness of techno history - and, let us be candid, sometimes samples out of it - with a tripped-out understanding for the passing time on the dance floor. the result is a form of distinctly contemporary dance music. all the same, de la calles music eludes present day trends of going overtly retro and being contently at rest in nothing but epigonism. nor are they the maximised-to-death tracks spun of the present day techno functionalist goading crowds by the means of formalistic upbuilds over and over. his sound carves out a niche quite its own: its the ultimate modern day dj tool. all records have been pressed in a run of 320 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

scratcha dva has come up with probably the finest match between album title and music in the history of the universe. >pretty ugly< is what it is - sweet and sour, blaring and lush, rough and smooth. the man is a genius.

many prominent figures throughout history have proclaimed that you can get by with a little help from your friends now whilst this is a lovely romantic notion and does, we suppose have some (albeit very small) grounding in reality you need a bit more if you want to progress through life as opposed to simply jog in. zoo look are a good example of this, whilst sam, alex and craig have been friends for quite some time, forging their completely plutonic relationship through djing together, their latest release, number 11 on join the dots is forged from more than simply the burning fires of friendship, its born out of a love of all things deep as well as house music based. they may be mates but you can also get along very well if you have bags of talent too.

a good feeling starts if the first drumsounds of >feel so good< find your way from the boxes in the space. the head own style drawers belonging open in the half dozen and argue about the most correspondent blueprint. house? in any case. disco? unfailable to hear influence. electro? also not to dismiss this. dub? the father of the whole atmosphere. cosmic? also this is a part of the authoritative ingredients in the here available circle of the sounds. and the dance floor suction strengthening cow bells are anyway a tight of a track element of all last music generations! quintessence is, here two artists have poured your wide motley collection in influence in the form of a single track, have condensed and with it have interlocked at least 40 years of dancefloor history in fresh kind with each other.

the debut release on poem by neotnas, is set to showcase both the labels outlook and pedigree. the outlook of quality, from the music, to the pressing and artwork, and the pedigree, which is proven in the history of tobias duffner, who ran fauxpas musik, and his choice of upcoming artists already slated to release on poem. neotnas hails from the city of chelyabinsk in russia, and delivers a mature yet fresh ep of deep, well versed grooves. to grant it a genre would narrow the appeal of these tracks, but rest assured those from house or techno backgrounds will both find common ground. these tracks stand out for their almost unearthly feel, and its easy to hear that neotnas are close to the ural mountains, in tracks like kai, or that day, which serve both the head and the feet. the future for poem lies in cultivating new artists as talented as neotnas, to go alongside proven ones, as a list of remix names show how poem will progress: convextion/e.r.p., anton zap, modern stalking and mlz to name a few already at work.

romare is a young london to paris transient crate digger, collecting dusty snippets of undead voices and antiquated rhythms. once in his underground lab, these pieces of yesterday are chopped, spliced and reattached to create the sound of tomorrow. this ep explores the connection between the history of african and african-american culture in the form of collage to create musical conversations between the past, present and future.
samples of songs, speeches, interviews, field recordings and films were carefully chosen and rearranged: rhythms from africa are integrated with voices from harlem, conversations about race and identity between writers and ethnomusicologists are constructed, speeches from activists are conjoined with the voices of prisoners. this process of combining pre-existing material has inspired three >meditations on afrocentrism<.
in keeping with black acres genre dodging output, romares merging of traditional rhythms of africa with the contemporary tempos of footwork and house is a bridge between the tradition sound palette of africa and future dance rhythm.
support: untold, moxie, fantastic mr fox, jamie xx

basic fingers is a new label brought to you by the fine team over at gamm. basic fingers is an open-minded concept with quality edits and reworks for an underground disco/ house generation.
release #6 on basic fingers comes from a true stockholm crate diggin legend and notorious producer kool dj dust. mr dust truly knows his history and is also highly skilled dj that has rocked most clubs in and around scandinavia. for his debut on basic fingers dust goes loose on a french disco anthem (editsa alexandra), a raw gospel jam (take it to jesus) and finally a ruff percussion workout (dancing suite). its an ep with something for all you that got ears firmly directed towards the (under)ground! proper bizniz!

extremely welcome reissue for one of the absolute holy grails of the rare groove scene. ultra-rare and super-expensive in its original 1980 release, this incredibly sexy tune from chicago band starvue fully deserves its status as a true soul anthem. produced by the chi-lites clarence johnson, >body fusion< never lets up the dancefloor pressure from beginning to end - the wonderful fusion of achingly beautiful strings, loping bass, flutes, the coolest fingersnaps and of course the mesmerising vocals of tony hicks combine to create an intensely emotional and rolling momentum that builds and builds. a masterpiece of soul history that still sounds as fresh as ever - essential!

soul jazz records presents this amazing 5lp + dvd box set afro-colombian music and film project made in colombia.
this set (limited to 1000 copies) includes the dvd, two lps of original music and three lps of remixes. it comes in a stunning box set with sleeve notes about the project and the history of palenque and exclusive photography.

funky and laid back jazz constructed house tracks with spacy dimension by dewalta. we are very happy to release such a fantastic long player which keeps alive our dear paris-berlin connection and our taste for subtle melange between jazz and house music. both tracks malbec and syrah will bring you far on the dancefloor like a good wine does with its fine and deep flavours of fruits and whatever it can tell about the history of its ground. david koch under his artist name dewalta persuades first on the a side with malbec. a dry clap introduces to the affair, short followed by a kick and a driving funky deep baseline which could be far enough to convince any dj fan of minimal hypnotic loops. having set up that strong base, he plays then carefully some light but brillant layers of jazzy arrangements. santé! syrah, follows up in a more trippy way performing a jazzy and elegant journey which destination is certainly somewhere in the cosmos. mastered and cutted by mike grinser at the berlin studio man made mastering.